Nina Adelajda Olczak

N I N A ADELAJDA O L C Z A K 

Nina = artystka multimedialna + uczestniczka zajęć + autorka części filmów i zdjęć dokumentujących działania + inicjatorka weekendowych spotkań "dla chętnych" uczestników zajęć, w celu pogłębiania doświadczeń ruchowych + autorka pracy LOGO MOTION pokazywanej na salach wystawienniczych GSW podczas trwania projektu

Nina = multimedia artsist + workshop participant + author of parts of movies and pictures documenting actions in gallery + the initiator of weekend meetings "for volunteers" who wants work more with movement + author of the work LOGO MOTION presented during the project

DZIĘKI NINA
ZA DOBRY WSPÓLNY CZAS I SUPER POMOC


t h a n k s

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EN
Nina Adelajda Olczak is a Germany based media artist, who works predominantly with moving image, installation and performance. Born in Poland in 1980, the artist moved to Germany in her early twenties, where she studied art history and English and subsequently media art. She is a graduate of Karlsruhe University of Arts and Design. Her artistic practice often involves collaboration with other artists. Olczak's multichannel video works, installations and performances construct bizarre, insightful and sometimes satirical narratives exploring various aspects of identity and artistic experimentation.

http://www.nina-adelajda-olczak.com/





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+ Nina jest także autorką pracy LEGENDA RZEKI / THE LEGEND OF THE RIVER, która jest zapisem performance z Magda Wolnicką, wykonanym podczas rezydencji artystycznej LOGOGRAPHERS. LEGEND OF THE  LUNE organizowanej w Lancaster przez Galerię DART

+ Nina is also an author of work THE LEGEND OF THE RIVER made by collaboration with Magda Wolnicka during art residency in Lancaster - LOGOGRAPHERS. LEGEND OF THE  LUNE organised by DART Gallery.

info o pracy:
http://www.nina-adelajda-olczak.com/works/the-legend-of-the-river

LOGOGRAPHERS. LENEND OF THE LUNE, Galeria DART:
http://dartcreative.co.uk/index.php/exhibitions/logographers/

THE LEGEND OF THE RIVER, video, GSW w Opolu,  fot. Nina Adelajda Olczak

THE LEGEND OF THE RIVER, grafika, tekst, GSW w Opolu,  fot. Nina Adelajda Olczak

zobacz video THE LEGEND OF THE RIVER:

https://vimeo.com/135673258

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LENA BUHRMANN

Lena's work

every day actions

signs

Lives and work in Hamburg.
Graduated from College of Fine Arts in Braunschweig - study fine arts class specializing in sculpture Prof. Thomas Virnich. She earn diploma with honour.

Exhibitions and Scholarship
2014 in preparation: Skulptur Symposium
SKULPTUREN-TRIENNALE BINGEN 2014
2013/2014 world cup, Guldagergaard, International Ceramic Research Center, Denmark
2013 Scholarship: Project Network, Guldagergaard, International Ceramic
Research Center, Denmark
2013 city of dreams, Kultur am Schachtweg, Wolfsburg
2013 Artist at Work, Insel Mainau, Konstanz
2013 von oben her leicht, Historisches Rathaus & Burg, Bad Driburg-Dringenberg
2013 I have a dream, secondhome projects, Berlin
2012 Kunstperlen, Konnektor Forum für junge Kunst, Hannover
2012 Palast der Produktion, ehem. Wollkämmerei, Bremen-Blumenthal
2011 Memento III, ArtEZ University of Art & Design, Enschede, Holland
2011 MIT ALLES, Galerie vom Zufall & vom Glück, Hannover

ANTON BO MATZKE

floating voguing 1/4G // borderstone // Anton Bo Matzke / 1

floating voguing 1/4G // borderstone // Anton Bo Matzke / 2

floating voguing 1/4G // border stone // Anton Bo Matzke / 3

ANTON'S STONES

SMS to Anton!

Born in 1989
Currently studing at The University of Arts in Berlin.
2008-2010 Social Cultural Year in a cultural center in Hamburg and organizing Hip-Hop/Graffity - workshops in Hamburg and Dakar/Senegal. Since 2010 studying fine art at the UdK Berlin (professor Michaela Meise and Manfred Pernice). 2013 exchange semester at the Cooper Union School of Art New York. Since 2010 in 11 group exhibitions in Hamburg, Berlin and New York

exhibitions:
2010 „Exchange the Hip Hop Education“, Brakula Hamburg 
2011 „Zu Tisch“, UdK Berlin 
2011 „Junge Künstler im Stadtbad Steglitz“, Berlin 
2012 „Win-Win“, Senatsreservespeicher Berlin 
2013 „Tschajka“, Zahnarztpraxis am Nollendorfplatz Berlin
2013 „Tschajka 2“, Haus am Lützowplatz, Berlin 
2013 „Together with Hestia“, Lex 75, New York 
2013 „Hit and Run“, Cooper Union New York 
2013 „Mille Crêpes: A densely rich layer of fear, love and innocence“, 
         House of Tiny Egos (H.O.T.E.) 
2014 „New York“, Kunsthalle Palazzo, Basel 
2014 „Kombi 2“, Kunstraum Bethanien, Berlin 

ANNA MARCINKOWSKA

Anna Marcinkowska, documentation of paiting - the nails in the water, Art&Spa

ANNA MARCINKOWSKA TELLS ABOUT HER PROJECT

ART&SPA PROGRAM
Tam spotkacie się z Anną / here you can meet Ania:

THE MAPS

30.07, Wednesday

4 p.m. – przystań przy moście kolejowym, bulwary Odry (deszcz – GSW)
marina at the railbridge, the Oder boulevards (rain - GSW)

31.07, Thursday

10.00-11.00 a.m. – pl. Wolności, Opole 

01.08, Friday

18.00-20.00 p.m – kawiarnia / cafeteria Laba, wyspa Bolko / Island of Bolko, Opole  

CAROLINA REDONDO

TRATWA akcja // THE RAFT action
work in progress

Since 2008 lives and work in Cologne. 
1995–1999 B.F.A. Pontificia Universidad Católica de Chile. 1998 Diploma in Dramaturgie, Pontificia Universidad Católica de Chile. 1999 Diploma in Multimedia, Universidad del Pacífico, Chile. 2008 - 2011 PostGradDiploma, Academy of Media Arts Cologne. Germany. Awards & scholarships. 2013 SK Stiftung Kultur der Sparkasse KölnBonn, Funding Project. 2010 Artist in Residence, Flux Factory, New York (USA). 2008 - 2nd Photography Award Itituto Italo-Latinoamericano, Festival Internazionale di Roma (IT).

Solo Exhibitions: 2013 Gravity Matters, Gallery Bruch&Dallas, Cologne (DE) 2012 THE LIMIT OF THE PRESENT, Fuhrwerkswaage Kunstraum. Cologne (DE) 2011 I Bridge, C3 Gallery, Pompei A.D, New York (USA) 
Group Exhibitions (selection): 2013. Collection Based, Kunst- und Kulturzentrum (KuK), Aachen (DE), 19 Truths, Marion Scharmann Galerie, Cologne (DE), Rhizomée, EG Null - Raum für junge Kunst, Generali Holding AG, Cologne (DE) 2012 new talents – biennale cologne, Maison Belge, Cologne, Landesvertretung NRW, Berlin (DE). RETORNA, CHILEAN VIDEOART FOR EXPORT, Centro Cultural de España, Santiago de Chile (CL)

EWA SADOWSKA

Originally from Lewin Brzeski. 

Graduated from University of Art in Poznan, but she stareted her studies at The Academy of Fine Art in Łódź. During the studies in Poznan she attended the class of intermedia (including Audiosfera studio) and she has been active in the field of music (No Women no Art in Poznan - live music to silent film festival events in Gdansk, and Tczewo - theater on a barge "The City of possible" - music performance, solo concerts). She has won top prizes in video competitions: 4.66, Points of View. Currently co-creates group Sorja Morja. In her audio practice she use mainly a computer, as well as bass guitar.

REJSLACJA

LOGOGRAPHERS team

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REJSLACJE

relacje z podróży

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greate food 2.0

APPROACHING WROC-LOVE

Anton & Ewa

after four day in a very limitted space we're like family

Kamila's works

Kamila Ženatá

graduated from Academy or Art in Prague (1973-79), Professor Ladislav Čepelák studio.

currently concentrates on video installations and exhibition projects

the work of Kamila Ženatá is characterised by versatility: she expresses herself through painting, photography, video as well as text, but the strongest achievement is always produced by a combination of all these elements into a single compact installation

She published books “Kamila není doma” (Kamila is not at home) (2001 Vltavín), “Obrazy z nevědomí” (Pictures from the unconscious) (2005 Portál), the accompanying text to the exhibition 2^nd Floor (2009 Houdek) ) and “Kačenka hledá lásku” (Kate seeks love) (2011 Divus)

in addition to artistic work Kamila Ženatá also deals in psychoanalytic psychotherapy focusing on group activities

lives and works in Prague

http://www.kamilazenata.cz

Kamila Ženatá // POHÁDKA / FAIRY TALE about beginning and ending of earth

Bylo nebylo.

Ale bylo to velmi dávno.

Modrá planeta letěla vesmírem.

Nic nebylo a všechno pomalu vznikalo.

Země, voda, oheň, vzduch, život. Pohyb.

Dlouho pršelo. Déšť způsobil, že kamenná srdce Země začala měknout.

Ze zemské hlíny se pomalu, jakoby náhodou, začaly tvarovat postavy obrů.

Velcí obři hnětli zemi a tak vytvářeli kopce, údolí, pahorky.

V průsmycích vznikaly koryta řek a v údolích jezera, a v hlubokých pláních moře a oceány.

Zemi pokrývaly lesy, na nebi plavaly mraky, v údolích žili lidé.

Obři, unaveni prací, se pomalu ukládali k odpočinku, lehali si do údolí, do soutěsek a zátok oceánů, zavírali oči a pozvolna splývali s krajinou, obrůstali mechem a propadali k věčnému tichému spánku.

Lidé se rodili, stávali se součástí svých skupin, otec byl otcem a matka matkou, společně si stavěli obydlí, tančili, rozdělávali oheň, pěstovali rostliny, chovali zvířata. Cítili, že jsou součástí velkého celku.

V noci se dívali na nebe a pozorovali hvězdy.

Vnímali chvění země, sledovali stopy života, respektovali živly a s živly žili.

Vzývali deště a ctili smrt.

Smáli se. Plakali. Bojovali.

Báli se.

Opatrovali kosti svých předků.

Bylo nebylo.

Jak šel čas a vývoj, za mnoho tisíc let se jednoduché věci staly složitými.

Strach ze smrti začal vítězit, a tak se smrt vytratila z vědomí, lidé opouštěli svá společenství

a přestávali cítit souvislosti. Přirozené děje, které nesly životy jako proud událostí, se začaly přetvarovávat do náhradních systémů, svoboda se stala svévolí a iluze náhražek a moci nabývala nezvyklé hlučnosti, tak, že nebylo slyšet tlukot srdce. Lidé přestali plakat, povodně zaplavovaly celá území. Lidé přestali vnímat, Země se začala otřásat. Nahromaděný narcistní vztek rozněcoval požáry, ztrácené vědomí se proměňovalo ve vzdušné bouře, vichřice lámala stromy a devastovala Zemi.

Skončila sounáležitost skupiny a nastal čas oddělenosti.

Magda's works

Magda Wolnicka

born in 1989 in Opole / Poland

graduated from University of Opole – Art Institute

instructor of contemporary dance - graduated from Instructor Qualification Course in Krakow

fascinated by the aboriginal energy ∞

Magda Wolnicka // Paradise Is Very Nice // 2013 

Magda Wolnicka // Paradise Is Very Nice // 2013 

Florian Luxenburger & Magda Wolnicka making of Why Not? 

 Magda Wolnicka // Why Not ? // 2013

 Magda Wolnicka // Grandma's cake // 2013

Magda Wolnicka // Grandma's cake // 2013

Tomáš's works

Tomáš Werner

born in 1977 in Piešťany / Slovakia

is a Slovak artist exploring the intersection between photography, video and performance

in his work, he questions the pre-defined rules and how we perceive them based on our socio-historical development

http://tomaswerner.com

Tomáš Werner // Landscape Spectacle // Video, Sound / 30 min // 2010

http://tomaswerner.com/landscape_spectacle.html

Tomáš Werner // Stranger than Ordinary // exhibition view

Stranger than Ordinary

Sometimes we have the feeling that things are either absolutely real or absolutely unimaginable. That is to say, we cannot imagine that they are different only until they are different and then we cannot imagine how it was before when we could not imagine that they would be different.

Travel is like a quest for something we feel we are missing. But what about the idea as everything and everybody is traveling? Connectivity among places and people, globalization of communication, flows of commodities: tourism is not very much else than a game with mirrors, whose effects reproduce and sometimes transform the landscape we are surrounded with. The comfort of modern tourism is the comfort of finding ourselves more than loosing ourselves. We like to run away, but we also like to land without crashing. An ordinary forest can be the strangest thing. Luckily we understand that what is stranger than ordinary is more ordinary than strange. Or may be vice versa.

Dreams of foreign lands often collapse into vertigo of phantasmagoria, as we know from Joseph Conrad but also from travel agencies advertisements. But to be cynical about traveling is only to prove to the attitude of a global touring subject, whose only thing to say about the complex socio-economic organization and logistics of his trip is that Ryanair has narrow seats. How to travel in the age of choice between mass tourism and customized adventure tours? And how to create images about this age?

Tomáš Werner